Oakland, CA – Oakland has long been a cornerstone of the country’s revolutionary people’s movements, from the founding of the Black Panther Party to the enduring fight for justice against systemic racism and police violence. On the evening of November 19, at the 510 Firehouse Projects, this legacy was revisited as Freedom Road Socialist Organization (FRSO) Oakland, in collaboration with East Side Cultural Center’s Community Archival Resource Project (CARP), hosted a film screening centered around some of these historical moments.
Roughly 25 community members came together to watch two films that spotlight the city’s pivotal role in the fight for liberation: Agnès Varda’s Black Panthers 1968 and Shola Lynch’s Free Angela Davis and All Political Prisoners. The films offered not only a window into the past but a mirror reflecting the struggles and solidarity still needed in Oakland today.
Agnès Varda’s Black Panthers 1968 is an on-the-ground documentary capturing the resiliency of the Black Panther Party as they rallied to free Huey Newton, co-founder of the movement. Filmed in Oakland at the height of the Panthers’ activism, the film is a testament to their ability to unite working-class people and oppressed communities against police violence and systemic injustice. Varda’s work doesn’t just document history; it brings to life the defiant hope of the movement and its roots in the city’s streets.
The second film, Free Angela Davis and All Political Prisoners, is an account of Angela Davis’s trial and the international movement to secure her release. Davis, a scholar, communist and activist, was charged with crimes related to a 1970 courthouse shootout. Lynch’s documentary recounts the global solidarity campaign that demanded her freedom, framing it as both a personal and collective story of resistance. It’s a powerful reminder of what can be accomplished when movements cross borders and people stand united against oppression.
FRSO Oakland members led the program, situating these stories in Oakland’s broader revolutionary history. They reminded attendees of the Black Panther Party’s core mission – building unity between oppressed nationalities and working-class people to fight systemic inequality. They also illuminated the government’s counterattacks, particularly through COINTELPRO, the FBI’s covert program that sought to dismantle revolutionary movements.
The discussion didn’t stop with history. Participants connected the lessons of the films to ongoing struggles in Oakland, particularly the work of the newly formed Oakland Alliance Against Racism and Political Repression (OAARPR). This group, a local chapter of the national NAARPR which emerged from the fight to free Angela Davis, works alongside families of police violence victims and pushes for community control of the police.
In this context, the group also critiqued the failures of Oakland’s Community Police Review Agency, highlighting its ineffectiveness as a key example of the city's ongoing systemic issues with police corruption and violence. This discussion tied the historical and contemporary struggles together, underscoring the urgent need for real change.
Adding a tangible connection to the past, CARP displayed a collection of artifacts that captured the spirit of the Black Panthers and the Free Angela Davis campaigns. Old political pins reading “Free Angela Davis and all political prisoners” and “Black Panther Party: All power to the people” sat alongside the Panthers’ iconic “Ten-Point Program”, photo books, an
